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Intermediate15 min readInvented 1850

Albumen Printing

The dominant photographic printing process from 1855 to 1895, using egg white as a binder. Produces rich purple-brown tones with exceptional detail and a characteristic glossy surface.

Moderate hazard

Silver nitrate is corrosive and permanently stains skin. Raw egg albumen requires fresh preparation.

Image characteristics

Rich purple-brown tones; characteristic glossy surface; exceptional fine detail; image sits on top of paper rather than within fibres

Key chemicals

  • Egg albumen
  • Ammonium chloride
  • Silver nitrate
  • Gold chloride

Historical Context

Albumen printing dominated photography from the 1850s through the 1890s, becoming the first mass-production photographic printing process. Introduced by Louis Désiré Blanquart-Evrard in 1850, the process uses egg white as a binder to hold silver salts on paper. At its peak in the 1870s, a single Dresden factory used 60,000 eggs daily for albumen paper production.

Most 19th-century photographs you encounter in museums and archives are albumen prints, identifiable by their characteristic glossy surface and tendency to yellow in highlights.

Chemistry

Salting Solution

ComponentAmount
Egg white (albumen)From 6 eggs
Ammonium chloride9 g
Distilled water100 ml

Preparation

  1. Separate egg whites from yolks
  2. Whisk vigorously until stiff peaks form
  3. Allow foam to settle overnight (covered, in refrigerator)
  4. Carefully pour off the clear liquid from beneath the foam
  5. Dissolve ammonium chloride in distilled water, add to albumen
  6. Filter through muslin or coffee filter
  7. Age for 2-3 days before use (improves coating properties)

Silver Bath

ComponentAmount
Silver nitrate12 g
Distilled water100 ml

Add a few drops of nitric acid to prevent fogging.

Procedure

  1. Paper coating: Float smooth watercolour paper (Arches Platine works well) albumen-side down on the salted albumen solution for 2-3 minutes. Hang to dry.

  2. Sizing option: The dried albumen paper can be coated a second time for extra gloss and Dmax.

  3. Sensitising: Under subdued light, float the dried albumen paper on the silver bath for 3-4 minutes. The silver combines with the chloride to form light-sensitive silver chloride.

  4. Drying: Dry in complete darkness. Use immediately or within a few hours.

  5. Exposure: Contact print under UV light or sunlight. This is a printing-out process—watch the image appear. Expose until shadows are distinctly darker than the final target (they lighten in processing).

  6. Washing: Rinse in several changes of water.

  7. Toning (optional but recommended): Gold toning improves permanence and shifts tone from red-brown toward purple-brown.

  8. Fixing: Fix in sodium thiosulfate (5%) for 5 minutes.

  9. Final wash: Wash thoroughly for 30-60 minutes.

  10. Drying: Air dry face-up on clean surface.

Gold Toning

Gold toning before fixing dramatically improves archival permanence:

ComponentAmount
Distilled water1 litre
Gold chloride (1% solution)10 ml
Sodium bicarbonate2 g

Immerse print until colour shifts from red-brown to purple-brown (5-10 minutes). Rinse and fix immediately.

Comparison with Salt Prints

AspectAlbumen PrintSalt Print
SurfaceGlossy, smoothMatte, textured
Image locationOn top of paperWithin paper fibres
DetailFiner detail possibleSofter appearance
ColourPurple-brownWarm red-brown
PreparationMore complexSimpler

Troubleshooting

ProblemLikely CauseSolution
Uneven coatingPoor paper floating techniqueFloat evenly, avoid bubbles
Low DmaxInsufficient sensitising timeExtend silver bath time
Yellow stainingInsufficient fixing/washingExtend processing times
Bronzing in shadowsOver-exposureReduce exposure time
BlisteringTrapped air, contaminationClean technique, fresh chemicals

Safety

ChemicalHazardPrecautions
Silver nitrateCorrosive; permanently stains skin blackGloves essential
Ammonium chlorideMild irritantStandard precautions
Raw eggsSalmonella riskFresh eggs; wash hands
Gold chlorideToxic if ingestedGloves; careful handling

Further Reading

James Reilly, The Albumen & Salted Paper Book (Light Impressions, 1980) The definitive historical and technical reference for albumen printing. Covers paper selection, albumen preparation, and 19th-century production methods.

Liam Lawless, Egg Albumen Prints (Foto-Imaging.com) Practical modern guide with detailed step-by-step instructions and troubleshooting.

Christopher James, The Book of Alternative Photographic Processes, 3rd Edition Comprehensive chapter on albumen printing with contemporary techniques.

This guide combines established practice with community experience. Always follow safety precautions and cross-reference with primary sources before mixing chemicals.

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