Film Stock Database

Document-film based ortho-panchromatic stock with extreme resolution (up to 800 lp/mm) that needs ADOX ADOTECH developer for pictorial contrast; rated ISO 12-20.

Ultra-fine-grain super-panchromatic film on PET, modified by ADOX from an Agfa-Gevaert aerial emulsion; up to 280 lp/mm and usable for infrared with filtration.

The HR-50 emulsion packaged and rated for B&W reversal processing in the ADOX SCALA kit to make black-and-white slides; successor to Scala 160.

Single-run Agfa-material film close to original APX 100, also sold as Scala 160 for reversal; sold out 2020-21.

Professional ISO 25 traditional cubic-grain panchromatic film with a single-layer emulsion and anti-halation layer. Wikipedia dates it 1989 to 2000 and says it was dropped because of low demand.

Traditional cubic-grain 400 film; AgfaPhoto-branded stock from cold storage lasted to about 2012.

High-resolution panchromatic black-and-white microfilm from Agfa-Gevaert with an anti-halation underlayer, converted for still cameras by Maco. Wikipedia's list notes the same film is sold as SPUR DSX.

B&W reversal film based on APX 100 emulsion, processed in the dedicated Scala process.

2026 addition to the AgfaPhoto APX line; described as similar to Kentmere Pan 200.

Budget panchromatic 400 film under the AgfaPhoto name; described as similar to Kentmere Pan 400.

CatLABS X Film 320 Pro for 120 (the maker's listing also sold 35mm, now sold out). Medium-speed, rated EI 200 outdoors in bright sun and pushable to 1600, with extended sensitivity to about 750 nm for infrared work (R72 filter, ISO 3-5). The maker does not state the emulsion origin; the Wikipedia list gives USA/EU. Non-DX.

Traditional slow B&W film, EI 80 (shoot at 80 or 100): very fine grain, moderate contrast, deep tonal range, wide latitude; the maker cites Panatomic-X as inspiration. The MKII is an improved formulation; the Wikipedia list notes the roll film is converted by Shanghai (GP3 tape seen on rolls).

Single-layer 1950s-style ortho-panchromatic emulsion from Fotokemika (Croatia), sold 1990s to 2012; 135 (KB 25), 120 (R 25) and sheets (PL 25 M) 4x5, 5x7, 8x10.

Classic 1960s-style cine panchromatic film for still photography (ISO 80), with very high silver content (Wikipedia). FILM Ferrania describes the later P33 as having a normal characteristic curve and being easier to process and enlarge than P30, i.e. P30 is the more difficult, contrasty one. Meter and rate it at ISO 80.

2024 panchromatic film from FILM Ferrania based on a post-war cinema stock; positioned as a faster, more forgiving evolution of P30.

Orthochromatic medical fluorography X-ray film with no anti-halation layer, giving strong diffusion/halation and pronounced grain.

Industrial NDT X-ray film coated on both sides of a thick blue polyester base without anti-halation.

Converted from Kodak Plus-X Aerographic 2402 rolls that expired in 2000 - a way to shoot the discontinued Plus-X emulsion.

Original Film Washi product: orthochromatic emulsion hand-coated on Japanese kozo paper, giving a visible fibre texture.

Near-infrared-sensitive aerial vegetation-mapping film (to ~750 nm) with good green separation.

Traditional cubic-grain emulsion with high resolving power and a wide range of halftones (Foma datasheet: RMS 13.5, 110 lines/mm). Rated ISO 100/21 but the maker says it gives good results one stop over (EI 50) or two stops under (EI 400) with no change in development.

Modern cubic-and-T-crystal emulsion with high resolving power (Foma datasheet: RMS 14.0, close to Fomapan 100). Rated ISO 200/24; the maker says it gives good results from EI 100 (one stop over) to EI 800 (two stops under) with no change in development.

Traditional cubic-grain 400 film (Foma datasheet: RMS 17.5, 90 lines/mm). Rated ISO 400/27; the maker says it gives good results from EI 200 to EI 1600 without changing development.

Panchromatic B&W reversal film for black-and-white slides (cine origin); needs a B&W reversal process rather than standard negative development.

Panchromatic ISO 320/26 film with fine grain and a wide range of half tones and 'soft light', intended for contact printing or 'retro' style enlarging (Foma). Wide exposure latitude: good results from EI 160 to EI 1250. Foma recommends its Retro Special Developer.

High-speed B&W film rated EI 1600 for sport and low light (Super Presto in Japan).

Professional monosize cubic-grain 400 B&W film (Presto in Japan), produced from 1978.

Chromogenic C-41 B&W made in partnership with Ilford (similar to XP2); UK market.

Reformulation of Acros 100 (discontinued 2018), launched late 2019: Fujifilm's fine-grain orthopanchromatic ISO 100 film with 'Super Fine-Sigma' grain and low reciprocity failure. Made by Fujifilm in Japan; Harman Technology (UK) handles 120 conversion and packaging (Wikipedia list). Fujifilm's datasheet describes the 135 version.

ISO 100 fine-grain ortho-panchromatic black-and-white film with wide exposure latitude, introduced as roll film in 1952 and in 35mm in 1953. Sold mainly in Asia; its spectral sensitivity was similar to Kodak Plus-X 125.

Kentmere Pan 200, launched May 2025: general-purpose panchromatic ISO 200 film formulated for enhanced contrast (Harman: mid-high pictorial contrast at the given times) on a low-density acetate base.

Harman's budget ISO 400 line: general-purpose panchromatic film with a flat, clean negative that scans well; Harman says it has excellent push characteristics, with more visible grain than Pan 100 and slightly less contrast. 120 added December 2022.

Modern core-shell T-grain ISO 400 film with fine grain and high sharpness; Ilford recommends exposure from EI 200 to 1600. Sold in 35mm and 120 (no sheet film listed).

Often considered a benchmark for medium speed B&W. Notable sharpness and fine grain. Well-suited for high-quality enlargements.

Robust all-purpose ISO 400 film with a wide exposure latitude; Ilford's datasheet gives good results from EI 200 to 800 and push processing to EI 3200 with extended development.

Core-Shell crystal technology for extreme sharpness and virtually invisible grain. Clinical and precise look.

Orthochromatic film (ISO 80 daylight, 40 tungsten) sensitive to blue and green only, so it can be handled under red safelight and developed by inspection; reds and oranges render dark. 35mm and 120 added in November 2019.

Budget general-purpose panchromatic film sold by Ilford in selected markets outside the UK.

Budget general-purpose 400-speed panchromatic film for selected export markets.

Extremely fine grain with outstanding resolution, sharpness and edge contrast. Natural choice where fine detail and lack of grain are paramount.

Extended red sensitivity up to 740nm. Creates infrared-style effects with 720nm filter. Not true IR film but produces similar aesthetic.

Chromogenic black and white film processed in standard C-41 chemistry — no traditional B&W development times needed. Wide exposure latitude with excellent shadow and highlight detail.

Kodak describes a high-speed panchromatic cinema negative with good image structure and excellent sharpness, on a grey acetate safety base, for production use outdoors, in the studio and in dim light (H-1-5222, March 2022). Also widely respooled for still cameras.

Continuous-tone panchromatic black-and-white negative film on a T-Grain emulsion. Kodak describes it as the world's finest grain 100 speed black-and-white film, with high sharpness and resolving power for work needing maximum detail.

Continuous-tone panchromatic black-and-white negative film on a T-Grain emulsion. Kodak describes it as the world's sharpest and finest grain 400 speed black-and-white film, with wide latitude for push and pull processing.

Multi-speed black-and-white negative film that Kodak says is designed to be pushed to ISO 3200 or more, for fast action and low light without flash. T-Grain emulsion; 135 format only.

Infrared-sensitive high-speed black-and-white film sensitive to about 900 nm, with moderately high contrast; famous for glowing foliage. EI 80 daylight, 200 tungsten (Wikipedia list).

Very fine grain slow Kodak film rated ASA 32-40, produced until 1987.

Medium-speed, very fine-grain classic Kodak panchromatic film (1954-2011); discontinuation announced 2010 with final stock in 2011.

Kodak describes it as a medium-speed (ISO 100/21) panchromatic film with extremely high sharpness, extremely fine grain and very high resolving power, good for detailed subjects and copying (F-4016, June 2018). Kodak calls it the world's finest-grain 100-speed black-and-white film.

Kodak describes it as a continuous-tone panchromatic film with high speed (ISO 400/27), very high sharpness, very fine grain and very high resolving power (F-4043). Tabular T-Grain emulsion.

Multi-speed continuous-tone film designed for push processing to EI 3200-6400. Well-suited for low-light and action photography.

Chromogenic black-and-white film with T-GRAIN emulsions for Process C-41, printable on black-and-white or colour paper. Kodak claims high-quality prints from negatives exposed at EI 25 to 1600; its April 2003 sheet marks it discontinued in favour of BW400CN.

Ultra-high-definition high-contrast microfilm emulsion made panchromatic; with a special developer it produced extremely fine pictorial negatives.

Sheet-film sibling of Tri-X 400 on a thick ESTAR base, designed for controlled studio and low-flare lighting; roll-film versions ended in 2010 and only sheet sizes remain.

High-speed panchromatic film that Kodak recommends for dim light, fast action and push processing (F-4017). Traditional cubic-grain emulsion known for photojournalism; re-engineered with finer grain in 2007 (Wikipedia list).

Kodak's medium-speed (EI 125) panchromatic roll film with extremely fine grain and wide exposure latitude, similar to Plus-X Pan Professional but without retouching surfaces. Wikipedia dates it 1956 to 2002; by Kodak's December 2002 sheet it was discontinued and sold only in 120 and Cirkut rolls.

Panchromatic black-and-white cine film respooled by Lomography, with moderate grain and a high dynamic range according to Lomography's product page. Lomography does not name the base stock; Wikipedia's list says it is probably an ORWO/Wolfen N 74 or N 75 type emulsion. 35mm is confirmed on Lomography's page; 120 comes from Wikipedia's list.

Very slow, high-contrast B&W film derived from a cinema duplicating stock (edge markings indicate Wolfen DP31).

General-purpose panchromatic B&W in 110 cartridges.

Panchromatic black-and-white cine film launched by Lomography in January 2019 as the second film in its Kino series, with fine grain and high density according to Lomography. Lomography does not name the base stock; Wikipedia's list says it is probably Wolfen UN 54. 35mm is confirmed on Lomography's page; 120 comes from Wikipedia's list.

General-purpose 400-speed panchromatic film from China's Lucky, relaunched in 2024.

New black-and-white emulsion from China Lucky Film, reported as a completely new emulsion and not the SHD series. Speed is taken from the product name; the maker's specifications have not been seen.

New black-and-white emulsion from China Lucky Film, reported as a completely new emulsion and not the SHD series. Speed is taken from the product name; the maker's specifications have not been seen.

Panchromatic surveillance film (Ueberwachungsfilm) on 100 micron clear polyester, rated ISO 250/25 by ORWO; Wikipedia says it was developed for bank surveillance.

ORWO describes a medium-speed (ISO 100) cine-derived B&W film with classic fine grain and subtle contrast, produced at the original Wolfen site; widely respooled for stills.

Traditional high-speed panchromatic B&W in 127; supplier recommends processing as Rollei RPX 400.

Near-infrared sensitive B&W film (to about 750 nm) on clear polyester; with a 695-720 nm filter gives the classic white-foliage 'wood effect'. Rollei rates it ISO 200-400 without filter.

Very fine grained, high-resolution orthochromatic film; replaced Rollei Ortho 25 in 2017.

Black-and-white negative film sold as a limited twin pack of two 36-exposure rolls to mark Rollei's centenary in 2020. Rollei gives ISO 640, fine grain, natural contrast and an exposure latitude of ISO 320 to 1600.

Super-panchromatic 400 film on polyester (sensitivity 380-730 nm) with fine grain (RMS 11) and about +/-2 stops latitude; pushes to EI 800.

Rollei data sheet: ISO 80/20 superpanchromatic film with extended red sensitivity to 750 nm, RMS 14, 180 lp/mm, crystal-clear PET base, suited to B&W slides. Wikipedia: Agfa-Gevaert Aviphot Pan 80, converted by Harman (135) or Foma (120).

Medium-speed panchromatic film on triacetate; Rollei quotes very fine grain (RMS 7) and about +/-2 stops of latitude.

Rollei's low-speed panchromatic film with extraordinarily fine grain (RMS 8), very high resolving power (260 lp/mm) and high silver content on a clear 100 micron polyester base. Wikipedia considers it Agfa Aviphot 80 PE1.

Rollei describes a high-speed panchromatic film with good edge sharpness, high resolving power and fine grain (RMS 14) on a triacetate base, for available-light, sports and reportage work.

Super-panchromatic film on polyester with extended red sensitivity, usable for mild infrared effects with a deep red filter; Rollei quotes useful latitude between ISO 125 and 250.

General-purpose ISO 400 panchromatic film coated in Europe (by ORWO, per the retailer) and packaged in China; its formula follows the original Shanghai GP3. No DX code on the 35mm.

Panchromatic film with extended red sensitivity on polyester, from an Agfa-Gevaert aerial emulsion.

Panchromatic film with extended red sensitivity on polyester, Agfa-Gevaert aerial origin.

Panchromatic film with extended red sensitivity; Pan and Ultima share the emulsion on different base thicknesses.

Slow panchromatic film with extended red sensitivity on polyester (Pan 100 um base, Ultima 80 um), from an Agfa-Gevaert aerial emulsion.

Street Candy's 'taken from a motion picture film' ISO 100 panchromatic B&W film with moderate contrast and fine grain on 135 micron triacetate, processable as a negative or by reversal. Street Candy does not name the base stock; the ORWO UN 54 link is unconfirmed.

General-purpose panchromatic film in the Svema (Astrum) range, which Wikipedia says uses thin polyester-base films of the kind made for aerial and surveillance photography; listed in 135, 120 and sheet film.

General-purpose ISO 200 panchromatic film in the Svema (Astrum) range, listed in 135 only (Wikipedia list).

General-purpose ISO 400 panchromatic film in the Svema (Astrum) range, listed in 135 only (Wikipedia list).

Agfa-made consumer colour negative film (2001 to 2005) using EYE VISION technology from the professional Optima films; the APS version was sold as APS star 200. Not the same as the later Fujifilm-made AgfaPhoto Vista plus 200.

Professional general-purpose colour negative film with Agfa's EYE VISION sensitisation, later renamed Optima 200. Wikipedia dates it about 1996 to 2005 and says an unmasked aerial variant was sold by Maco as Rollei CN 200.

Professional colour negative film for portrait, wedding and fashion work with subtle saturation, part of Agfa's Triade with Ultra 50 and Optima. Wikipedia dates it about 1990 to 2005, when AgfaPhoto closed.

High-saturation professional colour negative for landscapes, part of Agfa's 'Triade'.

Budget colour film assumed to be rebadged Superia 400.

Daylight-balanced (5500K) cinema stock with remjet removed. Can be rated EI 12-100. Cinematic color palette with characteristic halation.

Tungsten balanced motion picture film (Vision3 500T) with RemJet removed. Famous for red halation 'glow' around bright lights.

Reverse-rolled CineStill 800T for redscale (monochromatic red/yellow tones) in 120, rated EI 200 because there is no anti-halation layer in the way; safe for C-41.

ISO 200 colour films with pre-applied tints and effects: Apollo (ex-Moonstruck), Bubblegum, Jelly, Pacific (ex-Monsoon), Solar (ex-Sunstroke), Stereo.

Budget Fuji colour negative; replaced without announcement by Kodak-made 'Fujifilm 200'.

Fujifilm's all-round ISO 200 Advanced Photo System colour negative film on a PEN (polyethylene naphthalate) base, sold in 15, 25 and 40 exposures. Fujifilm describes vivid colour, improved skin tones and good results under fluorescent light; APS film production by Fujifilm and Kodak ended in 2011.

Professional, cold-stored version of Superia 800 for press work, according to Wikipedia's list of discontinued films, which says it ended about 2008 with the last batch dated 2009.

Professional daylight colour negative film with a fourth colour layer, with a tone curve designed for higher-contrast results than Pro 160S. Launched in 2004 to replace NPC 160 and discontinued in 2010 (Wikipedia, Fujicolor Pro).

General-purpose consumer colour negative film with Fujifilm's fourth colour layer, listed by Wikipedia from 1998 to about 2009. Wikipedia also says AgfaPhoto Vista plus 100 was a rebranded Superia 100.

Fujifilm-branded ISO 400 'all conditions' consumer film, 35mm only, made for Fujifilm by Eastman Kodak and introduced in North America in spring 2023 as the Superia X-TRA 400 replacement.

ISO 1600 colour negative; Superia 1600 ended outside Japan 2016 and Japanese Natura 1600 full discontinuation announced October 2017.

Low-contrast professional colour negative with a 4th colour layer and natural skin tones; Japan-only in later years, 120 ended October 2021.

Professional ISO 400 colour negative with a 4th colour layer, low contrast and natural skin tones; Fujifilm discontinued it in January 2021 because the raw materials for the 4th layer were hard to source (135 ended immediately, 120 by mid-2022).

High-speed professional 4th-layer colour negative for weddings and portraits.

Mainstream 4th-layer consumer colour film of the late 1990s/2000s.

Japan/Asia variant of Superia X-TRA 400 tuned for exposure latitude and Asian skin tones; a Fujifilm-made colour negative where the Western 400 is now Kodak-made.

Premium ISO 100 colour negative (1989-2013) with Fuji's first 4th colour layer for accurate colour under fluorescent light; the finest grain of the Superia films. 135 ended 2012, 120 in 2013 (Wikipedia).

Fujifilm's all-conditions ISO 400 consumer film (135 only), sold 2003 to 2024. Early versions had a 4th cyan colour layer for fluorescent light; Wikipedia notes recent revisions omitted it. Discontinued in all markets in April 2024 and replaced by the Kodak-made Fujifilm 400.

High-speed 4th-layer consumer film; outside Japan ended 2016 (Venus 800 continued in Japan until 2019).

Harman's first colour film (December 2023), an experimental ISO 200 C-41 negative with high contrast and strong visible grain and no orange mask or anti-halation layer, so scanner settings need adjusting. Withdrawn in 2026.

Second-generation Harman colour negative with redesigned layers, dyes and couplers; Harman says it improves contrast, grain, sharpness and highlight/shadow retention over the original, though it still rewards accurate exposure.

Redscale film based on the Phoenix emulsion, exposed through the base to give red, orange and yellow renderings; usable EI 50-400.

Creative colour negative launched March 2026 with two colour couplers switched, rendering blues as orange, yellows as blue and reds as purple.

Kodak aerial colour negative film (Aerocolor IV 2460) respooled for 35mm stills by Film Washi (X), Flic Film (Elektra 100), Optik Oldschool (SantaColor 100) and SFL (A-Color 125), per the Wikipedia list. Respoolers rate it ISO 100 (SFL 125).

Kodak's budget consumer colour negative (ISO 200), a re-introduced mid-1980s Kodacolor VR 200 formulation sold alongside Gold 200 (Wikipedia list); no Kodak datasheet is published.

Daylight-balanced colour negative film. Kodak describes ultra-fine grain, exceptionally natural skin tones, soft accurate colour reproduction and wide exposure latitude, aimed at wedding, portrait and commercial work.

Daylight-balanced colour negative film. Kodak calls it the world's sharpest and finest grain 400 speed colour negative film, with natural skin tones and outstanding exposure latitude across varied light.

Daylight-balanced colour negative film for low light. Kodak says it keeps natural skin tones and balanced colour, with smooth tonal rendering and exposure latitude.

Kodak (E-4046, 2016) calls it the world's finest-grain colour negative film, with high saturation and ultra-vivid colour, aimed at nature, travel, fashion and product work. Kodak recommends it for commercial photographers and advanced amateurs.

Ultra-fine-grain, slide-like saturated colour negative launched at Photokina 1988; the 135 version was renamed Royal Gold 25 in 1994.

Kodak describes it as a low-speed colour negative film combining colour saturation, fine grain and high sharpness for daylight and flash, with latitude from two stops under to three over (E-7022, June 2023). Reintroduced in 120 in 2022.

Low-speed daylight colour negative film launched by Eastman Kodak in 2025 and sold directly to distributors; Kodak describes it as a sub-brand of an existing Kodak emulsion without naming which.

Medium-speed daylight colour negative launched by Eastman Kodak in October 2025; Kodak markets it for fine grain, saturated colour, sharpness and wide exposure latitude. Base emulsion not disclosed.

Kodak's general-purpose consumer colour film launched in 1972 with the 110 cartridge, and the first film for the new C-41 process. Wikipedia gives ISO 80 at launch, raised to ISO 100 from 1975, and an end date of 1983.

Tungsten-balanced (3200 K) professional colour negative film for advertising, architecture and copying artwork. Kodak's October 2006 sheet says it would be dropped by year end 2006 and suggests filtered Portra films instead.

Kodak describes a significantly finer-grain structure than its predecessor for scanning and enlargement while keeping smooth, natural skin tones (E-4051, Feb 2016). Intended for portrait, fashion and commercial work.

'Natural Color' Portra with subtle colour for controlled light; merged into the single Portra 160 in 2011.

'Vivid Color' Portra with more saturation and contrast; replaced by unified Portra 160.

Kodak calls it the world's finest-grain high-speed colour negative film, at true ISO 400 with natural skin tones and wide-ranging lighting performance (Kodak E-4050, Jan 2025). Made with Kodak's T-Grain emulsions; sold in 135, 120 and sheets.

'Natural Color' 400 Portra; replaced by the Vision3-based Portra 400 in 2010.

High-saturation 400-speed professional colour negative film, sold as Portra 400UC and from 2004 rebranded Ultra Color 400UC. Kodak's 2003 Supra sheet recommended it as the replacement for Supra 400, with grain comparable to Portra 160VC.

'Vivid Color' 400 Portra with extra snap for flat light; replaced by Portra 400.

Kodak (E-4040, Jan 2025) describes well balanced colour saturation, very fine grain and best-in-class underexposure latitude, for long lenses and low light. 135 and 120 only.

Professional colour negative film that Kodak said had the finest grain in its speed class and vibrant colour without oversaturated skin tones, with a scratch-resistant overcoat and good one-stop push results. Kodak's May 2003 sheet carries a discontinuance notice for Supra 100, 400 and 800.

Budget professional-branded colour negative film originally made for hot-climate markets and stable without cold storage; aimed at portraits and events with neutral skin tones and more saturation than Portra.

Kodak's premium consumer 400-speed colour print film of the late 1990s, which Kodak called the world's finest-grain 400-speed colour print film. Wikipedia dates it 1996 to about 2004, replaced by High Definition 400 (Royal Supra 400 outside the US).

Professional colour negative film with deep, saturated colour and extremely fine grain, aimed at fashion, landscape and nature work. Wikipedia lists it from 2004 with no confirmed end date.

Kodak's consumer high-speed colour negative (ISO 400/27), designed for snapshooters: bright, vibrant colours with accurate skin tones, fine grain and good sharpness when enlarged (Kodak E-7023). 135 only.

Tungsten-balanced motion picture colour stock prepared for C-41.

Tungsten-balanced motion picture colour stock prepared for C-41.

Experimental colour negative with subtle colour shifts, tonal depth and a gentle palette. KONO! pitches it at calm, cinematic images.

Family of ISO 200 colour films pre-exposed with patterns (Alien, UFO, Katz, Luft, Liebe, Wintermärchen) plus Rotwild 400 redscale-style tinted film.

Experimental colour negative that does not aim for neutral colour. KONO! describes strong colour shifts, deep contrast and an energetic look for street, nightlife, festival, fashion and experimental work.

Experimental colour negative with an off-centre colour character: hints of cross-processed colour, deep emerald greens and cyan, and open atmospheric skies.

Redscale colour film in 110 cartridges.

Colour negative released late 2025 that Lomography calls handcrafted, with medium film grain; Kosmo Foto says it is believed to be made by ORWO. Available in 35mm and, since March 2026, 110.

Retro colour negative with grain and hues meant to evoke 1990s consumer film; a 'Sun-kissed' warmer variant followed in 2024.

Creative colour negative with a desaturated, washed-out look, rated ISO 100-400 and funded by a 2019 Kickstarter that met its target in 72 hours (Wikipedia list). Produced in 35mm, 120 and 110.

Creative colour negative with purple hues, rated ISO 100-400 (Wikipedia list). Colour-shift details differ between retailers and are not stated here.

Creative colour negative with orange-to-turquoise hues, rated ISO 100-400; the current formula is the 2021 one (Wikipedia list).

General-purpose colour negative aimed at sunny conditions.

Lomography's general-purpose ISO 400 C-41 colour negative in 35mm and 120; the Wikipedia list gives no further characteristics.

Lomography's general-purpose ISO 800 C-41 colour negative in 35mm and 120, sold in 3-packs in 35mm; the Wikipedia list gives no further characteristics.

Reverse-rolled redscale film with extended exposure range (EI 50-200).

2026 general-purpose 400-speed colour negative from Lucky.

High-speed colour negative described only as 'made in USA'; base stock not published.

Colour negative cine-derived film with no remjet, so it runs in standard C-41; based on Agfa XT320 colour cinema stock (ORWO launch coverage). Wikipedia describes low saturation, desaturated shadows with a green emphasis and enhanced grain. ORWO datasheet: 125 micron grey triacetate base; ECN-2 development gives flatter gradation.

Colour negative film that Reflx Lab makes from China Lucky Film's Lucky C200: the 110 version is cut from 120-to-127 leftover strips and sold in 24-exposure cartridges, and the 127 version is converted from Lucky C200 120. The 110 cartridges are 3D-printed with no back window and no frame counter.

Reverse-rolled colour negative exposed through the base for very warm red, orange and yellow redscale renderings.

Silberra colour negative for C-41 (base stock not published); manufacturer guidance push +1 / pull -1.

Silberra colour negative for C-41 (base stock not published); manufacturer guidance push +2 / pull -1.

Professional slide film that many users found natural with flattering skin tones. Wikipedia says Agfa-Gevaert kept making the emulsion on polyester as Aviphot Chrome 200 PE1 after AgfaPhoto closed, converted by Maco as Rollei CR 200 and sold as Lomography X-Pro 200.

Professional ISO 400 daylight slide film that Fujifilm said had the finest grain and sharpness of any ISO 400 slide film, with ISO 100-class colour. Fujifilm gives good results from -1/2 to +3 stops (EI 280 to 3200). Replaced by Provia 400X.

Tungsten-type (3200 K) ISO 64 slide film with very fine grain (RMS 7) and faithful colour, for product, interior, architectural and artwork photography. Fujifilm gives ISO 32 in daylight with an LBA-12 + LBA-2 (No. 85B) filter, and good results from -1/2 to +1 stop push or pull.

Professional color reversal with neutral color balance, fine grain and outstanding sharpness. Exceptional reciprocity for astrophotography.

Fujifilm's ISO 400 professional slide film (2006-2013, successor to Provia 400F) with fine epitaxial sigma-crystal grain and gray balance matched to Provia 100F; Fujifilm confirmed the discontinuation in July 2013.

Consumer slide film with faithful colour and fine grain (RA III).

Faster Velvia with similar vivid saturation but improved reciprocity. One stop faster while maintaining fine grain and sharpness.

High-saturation, ultra-fine-grain member of Fuji's 100F series, sold 2002-2021. All formats ended outside Japan in 2012; in Japan 120 ended 2015 and 4x5/8x10 sheets stayed on sale until 2021.

Ultra-vivid colour reversal known for its striking saturation. Widely favoured for landscape photography. Requires careful exposure.

Daylight-balanced colour reversal motion picture stock processed in E-6; respooled for still cameras under other brands.

Tungsten-balanced (3200 K) medium-speed slide film with very fine grain and high sharpness, for theatre, interiors and motion-picture stills. Kodak's May 2007 sheet states the film has been discontinued.

High-speed professional slide film with a warm colour balance and bright, bold, saturated colours, for photojournalism and low-light outdoor work. Listed in Wikipedia's discontinued Ektachrome films.

Daylight professional slide film that Kodak called the industry standard for studio work, with rich natural colour, soft highlight contrast, very fine grain and very high sharpness. Listed as discontinued by Wikipedia; Kodak had discontinued all Ektachrome products by late 2013.

Tungsten-balanced fine-grain slide film for interiors and copy work.

Kodak E-4000 (Aug 2018): extremely fine grain (rms 8), low D-min, moderately enhanced colour saturation with neutral balance and a low-contrast tone scale; no speed or colour compensation from 1/10,000 to 10 s. Reintroduced in 2018.

Fine-grain daylight slide film with neutral balance; the basis for the reformulated Ektachrome E100 launched in 2018.

Warm-balanced version of Ektachrome E100G (the X is for warm) with extremely fine grain (rms 8) and moderately enhanced colour saturation. Kodak's September 2009 sheet announced discontinuation by year end 2009 or when stock ran out.

'Vivid saturation' Ektachrome for nature and product work.

200-speed T-grain slide film pushable to EI 800; discontinued March 2011.

Infrared-sensitive false-colour slide film on ESTAR base, sensitive from 380 to 900 nm, used with a No. 12 yellow filter. Kodak gives EI 200 (daylight, Process E-6) or EI 100 in Process AR-5, with exposure latitude of only plus or minus half a stop; Wikipedia dates the end of production to 2009.

Consumer daylight slide film with natural colours (EB); an Extra Color variant also existed.

Medium-speed daylight slide film with T-GRAIN emulsions, extremely fine grain and the contrast of a 100-speed slide film, for outdoor and daylight use in moderate to low light. Part of Kodak's Elite Chrome consumer E-6 range.

High-speed daylight slide film with enhanced colour saturation for action, handheld telephoto and low-light use, part of Kodak's Select Series. Kodak's January 1998 sheet describes fine grain and high sharpness.

Faster Kodachrome introduced November 1986; discontinued around November 2006 with notice to dealers/labs rather than a press release.

Slow, extremely fine-grained Kodachrome slide film (from Kodachrome II); dyes were added in processing, giving exceptional archival stability. No longer processable in colour.

The last Kodachrome emulsion; Kodak announced on 22 June 2009 it would no longer be manufactured, and the last K-14 processing line closed at the end of 2010.