Historical Context
Announced in 1839 by Louis Daguerre, the daguerreotype was the first commercially successful photographic process. It produces a unique image on a silver-plated copper plate with extraordinary detail and a distinctive mirror-like surface.
Traditional Process Overview
The daguerreotype process involves:
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Plate preparation: Silver-plated copper polished to a mirror finish using progressively finer abrasives and buffs.
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Sensitisation: Plate exposed to iodine vapour, forming silver iodide on the surface. The plate cycles through colour changes (yellow → rose → violet → blue) indicating thickness of silver iodide layer.
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Exposure: Plate exposed in camera. Early daguerreotypes required exposures of many minutes; later improvements reduced this to seconds.
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Development: Plate developed over heated mercury (60°C). Mercury vapour amalgamates with exposed silver, forming the image.
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Fixing: Unfixed silver iodide removed with sodium thiosulfate (originally sodium chloride was used).
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Gilding (optional): Gold chloride solution heated over flame, poured over plate to tone and strengthen image.
Becquerel Daguerreotype
Developed by Edmond Becquerel in 1840, this variant uses only iodine sensitisation and red/yellow light development, eliminating mercury entirely.
Process
Instead of mercury development, the exposed plate is simply re-exposed to red or yellow light (filtered through coloured glass or LED). The unexposed silver iodide converts to silver under this secondary exposure, creating the image.
Advantages
- No mercury required
- Significantly safer
- Can be done with simpler equipment
- Produces subtly different tonal qualities (some practitioners prefer Becquerel tones)
Disadvantages
- Longer secondary exposure required
- Some report lower contrast or different tonal rendering
- Less historically "authentic" (if that matters)
The Becquerel process is the recommended approach for contemporary daguerreotypists who wish to avoid mercury exposure.
Image Characteristics
- Mirror-like silver surface
- Extraordinary detail
- Unique (non-reproducible) image
- Visible only at certain angles against dark background
- Extremely delicate—must be housed under glass
Handling and Care
Daguerreotypes are extremely fragile:
- Never touch the image surface
- Store in sealed cases to prevent tarnishing
- Handle by edges only
- The image can be destroyed by wiping or cleaning
Historical daguerreotypes are often found in protective cases with brass mats and cover glass.
Safety
| Chemical | Hazard | Precautions |
|---|---|---|
| Mercury | EXTREMELY TOXIC — cumulative neurotoxin | Laboratory fume hood REQUIRED; respirator for spills; proper disposal |
| Iodine | Corrosive; toxic vapour | Fume hood; respiratory protection |
| Bromine | Extremely corrosive; toxic | Fume hood; extreme caution |
| Gold chloride | Toxic | Gloves |
Mercury Toxicity Warning
Mercury vapour exposure causes irreversible neurological damage. Symptoms may not appear until damage is severe. Historical daguerreotypists suffered significant mercury poisoning; many experienced tremors, psychological disturbance, and premature death.
Modern practitioners MUST use:
- Laboratory-grade fume hood with vaneometer-verified airflow (100+ fpm)
- Mercury vapour monitoring
- Proper spill containment and cleanup procedures
- Mercury-rated waste disposal
- Regular health monitoring
Do not attempt traditional daguerreotype without professional laboratory facilities.
Recommendation
For those interested in daguerreotype, the Becquerel variant is strongly recommended. It produces authentic daguerreotype images without the extreme hazards of mercury development. Many contemporary daguerreotypists use exclusively Becquerel development and achieve excellent results.
If you are determined to work with mercury, seek hands-on training from an experienced practitioner and ensure you have appropriate laboratory facilities before attempting the process.
Further Reading
Jerry Spagnoli, Daguerreotypes (Steidl, 2006) Monograph by the leading contemporary daguerreotypist. Spagnoli's work demonstrates what is possible with the medium today.
Christopher James, The Book of Alternative Photographic Processes, 3rd Edition (Cengage Learning, 2015) The definitive comprehensive text on alternative processes, with coverage of daguerreotype history and practice.
Workshop Training No comprehensive modern technical manual currently exists for daguerreotype. Practitioners typically learn through workshops with experienced makers like Jerry Spagnoli and Mike Robinson. Hands-on training is strongly recommended before attempting the process, particularly for mercury development.
Mike Ware's website (mikeware.co.uk) Free technical papers on photographic chemistry that provide background for understanding the daguerreotype process.