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Film · Colour slide

Kodak Ektachrome E100

In productionE-6

Kodak E-4000 (Aug 2018): extremely fine grain (rms 8), low D-min, moderately enhanced colour saturation with neutral balance and a low-contrast tone scale; no speed or colour compensation from 1/10,000 to 10 s. Reintroduced in 2018.

Reintroduced 2018 (135 at Photokina; 120 and sheets December 2019). Eastman Kodak also distributes directly in 135 and 120 since February 2026 (Wikipedia list).

Box speed
ISO 100
Process
E-6
Formats
35mm, 120, 4x5, 8x10
Grain
Very fine
Latitude
Medium
Reciprocity
Not published

Characteristics

GrainVery fine, level 1 of 4
ContrastLow, level 1 of 4
LatitudeMedium, level 2 of 4
SaturationModerate, level 2 of 4

Reciprocity failure

No official data available. The manufacturer hasn't published reciprocity specifications for this film.

For long exposures, try starting with a 1.3 exponent (t' = t1.3) as a baseline and bracket your shots. This is a reasonable middle ground that works for many films.

Kodak E-4000 (Aug 2018): no speed or colour compensation from 1/10,000 s to 10 s. At 120 s Kodak says to add CC10R filtration and gives no exposure correction, so none is given here. Make tests for longer exposures.

Development times

DeveloperDilutionISOTimeTemp
Tetenal Colortec E-6stock1006m 15s38°C
Cinestill Cs6 Creative Slide1+11006m40°C
Arista Rapid E-6stock1006m 30s40.6°C
Bellini E-6 Kitstock1006m38°C
Tetenal Colortec E-6stock2008m 15s38°C
Tetenal Colortec E-6stock40011m 45s38°C
Tetenal Colortec E-6stock504m 15s38°C
Tetenal Colortec E-6stock256m 15s31°C
Tetenal Colortec E-6stock126m 15s29°C
Arista Rapid E-6stock2008m40.6°C

Showing 10 of 17 entries. Temperatures, mixing and push times for every developer →

Often used for

projectionlandscapesproduct photography

Help improve this page. Some information for this film is limited. If you have experience shooting Ektachrome E100 or know of published data we're missing, we'd love to hear from you.

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Descriptions combine manufacturer specifications with community experience. Subjective assessments reflect common sentiment among photographers and may not match your results.