Film comparison
Kodak Verita 200D 5206/7206 vs Kodak Vision3 250D 5207
- Vision3 250D 5207 is 0.3 stops faster (ISO 250 vs 200).
- Verita 200D 5206/7206 is harder to find.
Side by side
| Specification | Verita 200D 5206/7206 | Vision3 250D 5207 |
|---|---|---|
| Manufacturer | Kodak | Kodak |
| Type | Cinema | Cinema |
| Box speed | ISO 200 | ISO 250 |
| Process | ECN-2 | ECN-2 |
| Formats | 35mm | 35mm |
| Grain | — | — |
| Contrast | — | — |
| Latitude | — | — |
| Saturation | — | — |
| Price, 35mm | — | — |
| Price, 120 | — | — |
| Availability | Limited | Current |
Rows that differ are in bold. Prices are typical UK prices and change often.
How they look
- Verita 200D 5206/7206
- Daylight-balanced colour negative motion picture stock with a shorter dynamic range than Vision3 for a more classical cinematic look. Kodak says it gives detailed highlights, high colour saturation, deep blacks and warm skin tones. Daylight use only (exposure index 200 at 5500K).
- Vision3 250D 5207
- Medium-speed daylight-balanced motion picture negative with remjet backing; widely respooled for still cameras.
Which suits what
Better pick: Verita 200D 5206/7206
—
Both work well
Cinematic look, Daylight
Better pick: Vision3 250D 5207
—