Film comparison
Kodak Ektachrome 160T Professional (EPT) vs Fujifilm Fujichrome T64 Professional (RTP)
- Ektachrome 160T Professional (EPT) is 1.3 stops faster (ISO 160 vs 64).
Side by side
| Specification | Ektachrome 160T Professional (EPT) | Fujichrome T64 Professional (RTP) |
|---|---|---|
| Manufacturer | Kodak | Fujifilm |
| Type | Colour slide | Colour slide |
| Box speed | ISO 160 | ISO 64 |
| Process | E-6 | E-6 |
| Formats | 35mm, 120 | 35mm, 120, 4x5, 8x10 |
| Grain | Very fine | Very fine |
| Contrast | — | — |
| Latitude | — | — |
| Saturation | — | — |
| Price, 35mm | — | — |
| Price, 120 | — | — |
| Availability | Discontinued | Discontinued |
Rows that differ are in bold. Prices are typical UK prices and change often.
How they look
- Ektachrome 160T Professional (EPT)
- Tungsten-balanced (3200 K) medium-speed slide film with very fine grain and high sharpness, for theatre, interiors and motion-picture stills. Kodak's May 2007 sheet states the film has been discontinued.
- Fujichrome T64 Professional (RTP)
- Tungsten-type (3200 K) ISO 64 slide film with very fine grain (RMS 7) and faithful colour, for product, interior, architectural and artwork photography. Fujifilm gives ISO 32 in daylight with an LBA-12 + LBA-2 (No. 85B) filter, and good results from -1/2 to +1 stop push or pull.
Which suits what
Better pick: Ektachrome 160T Professional (EPT)
Theatre
Both work well
Interiors
Better pick: Fujichrome T64 Professional (RTP)
Product, Copy work
Long exposures (reciprocity)
| Metered | Ektachrome 160T Professional (EPT) | Fujichrome T64 Professional (RTP) |
|---|---|---|
| 1s | 1s | 1s |
| 10s | No data | 10s |
| 30s | No data | 30s |
| 2m | No data | 2m |
Corrected exposure from each film’s published reciprocity data. Reciprocity calculator