Film comparison
Kodak Ektachrome 160T Professional (EPT) vs Kodak Ektachrome 64T
- Ektachrome 160T Professional (EPT) is 1.3 stops faster (ISO 160 vs 64).
Side by side
| Specification | Ektachrome 160T Professional (EPT) | Ektachrome 64T |
|---|---|---|
| Manufacturer | Kodak | Kodak |
| Type | Colour slide | Colour slide |
| Box speed | ISO 160 | ISO 64 |
| Process | E-6 | E-6 |
| Formats | 35mm, 120 | 35mm, 120, 4x5 |
| Grain | Very fine | — |
| Contrast | — | — |
| Latitude | — | — |
| Saturation | — | — |
| Price, 35mm | — | — |
| Price, 120 | — | — |
| Availability | Discontinued | Discontinued |
Rows that differ are in bold. Prices are typical UK prices and change often.
How they look
- Ektachrome 160T Professional (EPT)
- Tungsten-balanced (3200 K) medium-speed slide film with very fine grain and high sharpness, for theatre, interiors and motion-picture stills. Kodak's May 2007 sheet states the film has been discontinued.
- Ektachrome 64T
- Tungsten-balanced fine-grain slide film for interiors and copy work.
Which suits what
Better pick: Ektachrome 160T Professional (EPT)
Theatre, Interiors
Both work well
—
Better pick: Ektachrome 64T
—
Long exposures (reciprocity)
| Metered | Ektachrome 160T Professional (EPT) | Ektachrome 64T |
|---|---|---|
| 1s | 1s | No data |
| 10s | No data | No data |
| 30s | No data | No data |
| 2m | No data | No data |
Corrected exposure from each film’s published reciprocity data. Reciprocity calculator