Film comparison
Kodak Vision3 200T 5213 vs Kodak Vision3 500T 5219
- Vision3 500T 5219 is 1.3 stops faster (ISO 500 vs 200).
Side by side
| Vision3 200T 5213 | Vision3 500T 5219 | |
|---|---|---|
| Manufacturer | Kodak | Kodak |
| Type | Cinema | Cinema |
| Box speed | ISO 200 | ISO 500 |
| Process | ECN-2 | ECN-2 |
| Formats | 35mm | 35mm |
| Grain | — | — |
| Contrast | — | — |
| Latitude | — | — |
| Saturation | — | — |
| Price, 35mm | — | — |
| Price, 120 | — | — |
| Availability | Current | Current |
Rows that differ are in bold. Prices are typical UK prices and change often.
How they look
- Vision3 200T 5213
- Tungsten-balanced 200-speed motion picture negative that Kodak positions as having 100-speed image structure; respooled for stills by several brands.
- Vision3 500T 5219
- High-speed tungsten-balanced motion picture negative with remjet backing, using Kodak's dye-layering technology for low shadow grain and wide latitude. Sold to stills shooters mainly via respoolers; the base stock behind CineStill 800T.
Which suits what
Better pick: Vision3 200T 5213
Interiors
Both work well
Artificial light
Better pick: Vision3 500T 5219
Night, Cinematic look