What went wrong?
My negatives look very grainy
Negatives and slides
What you're seeing
Grain is coarse and obvious in prints or scans, more than you expect from the film, especially in mid-tones and sky.
Check this first
Check this first
Look at the negative itself with a loupe on a light box. If the grain looks normal there, the problem is in the scan.
Likely causes, most common first
- 01
Underexposure with push processing
Common- How to tell
- The film was rated faster than its box speed and developed longer. Shadows are empty and contrast is higher, as well as more grain.
- Test it
- Shoot a roll at box speed with normal development and compare the same subject.
- The fix
- Push only when you need the speed, and expect more grain and less shadow detail.
Source Kodak Alaris, Kodak Professional TRI-X 320 and 400 Films Technical Data (F-4017, rev. 12-16)
- 02
Old, heat-stored or X-rayed film
Occasional- How to tell
- More grain together with grey fog between frames. Faster films are affected more.
- Test it
- Develop an unexposed piece of the same batch: grey film means it was fogged.
- The fix
- Store film cool, use it within its date, and keep it out of checked luggage.
Source Eastman Kodak Company, Storage and Handling of Unprocessed Film (TIB 5202, May 2002)
- 03
Developer or dilution choice
Occasional- How to tell
- The negatives are otherwise fine but grain is coarser than with another developer, or after you switched to a more dilute mix.
- Test it
- Develop two rolls of the same film and scene, one in your usual developer and one in a fine-grain developer at stock strength, and compare.
- The fix
- For finer grain use a fine-grain developer at stock strength. Ilford says Perceptol gives extra fine grain with some speed loss, and Kodak says XTOL at 1:1 gives slightly more grain than stock.
Sources Ilford, Ilford Perceptol Technical Information; Ilford Photo (Harman Technology), Introduction to ILFORD Film Developers (Learning Zone); Kodak, Kodak Professional XTOL Developer Technical Data
Avoiding it next time
- Choose a slower film when the light allows.
- Expose at box speed unless you need to push.
- Store film cool and dry.